![]() Solid State Logic X-Desk - Beneath the Surface Balanced D-Sub rear panel inputs/outputs & Front panel headphones and iJack sockets.AFL and Solo-In-Place solo modes, with Solo Clear and Solo Safe (Protect) modes.Built-in Listen Mic input plus classic compressor circuit with its own direct output.Fold-back A and B with individual talkbacks for headphone mixes.Fully-featured monitoring section with bass management.Four stereo channels (switchable to mono for tracking).Direct outputs on every channel, stereo return, and mix bus for stem printing.In addition to a 500 rack insert, each mono channel also has a standard insert point.Four stereo mix buses with their own insert points and access to the 500 rack.18-slot 500 format rack built-in, accessible from channels or mix buses.The legendary Stereo Bus Compressor with high-pass filter sidechain.16 dual-input mono channels (switchable between main input or DAW return).Eight-built in Variable Harmonic Drive (VHD) preamps. ![]() 20 + 1 fader, 40-input SuperAnalogue SSL console.Solid State Logic XL-Desk - Just the Facts: This is a straightforward analog desk for those who do their automation in the DAW or wish to revisit old-school, hands-on mixing as we did in the golden age of recording. If you're wondering about DAW control and console automation, you won't find them here (that's why we have the AWS series, Matrix2, and Duality). And just for fun, SSL throws in eight VHD preamps, 21 long-throw faders, four main stereo busses (like the XL 9000 K) if you want to “Brauerize*” your mix, 40 channels of SuperAnalogue summing (50 possible if you want to get clever), a monitor section with bass management, cue mix A and B with individual talkback, and of course, the top of every engineer's birthday wish list, the Stereo Bus Compressor with a side order of Listen Mic Compressor. The XL-Desk combines two of our favorite things: a 500-series module rack with an SSL SuperAnalogue console. The SSL XL-Desk is a small-format SuperAnalogue console with an 18-slot 500-Series power rack built in, 16 mono channels, four stereo channels, 20 long-throw channel faders (one master fader), 40 channels of summing, four stereo mix buses, the Stereo Bus Compressor and Listen Mic Compressor, plus monitor control with bass management - no 500 EQ modules loaded
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